When it comes to directing, everything I do on set is tailored entirely toward the performance. For me, a story only functions if it can be both seen and felt. Real human emotion is the connective tissue across all my work. Having creative control over my film projects, from the script to the final cut, is exactly why I am able to protect and elevate those performances across every aspect of my directing.

A subject I always gravitate towards in my own films is loss. Not the kind that we tend to find at a funeral, rather the quieter kind. Whether it’s the loss of the version of ourselves we thought we would become, or the loss of a friendship that our life once revolved around. I believe loss is something we all carry with us in one shape or form, which means it can act as a relatable anchor to build all kinds of stories from.

My debut feature, Butterfly (2026), explores that subject. It is a contained sci-fi drama about the fear of living a life you didn't choose and losing yourself in the process. I wrote, directed, and edited it, shooting over ten days across London and Surrey with a cast including Jordan Adene (Doctor Who, The Sandman), Samiah Khan (Star Wars: Andor, The Power), Elliot Cable (Sweetpea, A Thousand Blows), Isobel Thom (Too Much, Big Mood), and Owen Warner (Hollyoaks, I'm A Celebrity).

Before Butterfly, I wrote and directed two award-winning shorts, Good Ones and Boot, with wins at Venice Shorts, Hollywood Blood Horror, and the Alternate Film Festival. I've also directed three television mini-series for Paramount, creating branded content for Paw Patrol and Teenage Mutant Ninja Turtles.

Alongside narrative work, I've spent years directing commercially for clients including Disney+, Paramount, and Warner Music. Most recently, this included a Paw Patrol commercial for Paramount that hit UK cinemas in August 2026.

I started my career as an editor at Disney, which is still fundamentally how I think about pace, rhythm, and coverage when I'm standing on set. Because I still regularly edit projects alongside my directing work, I look at performance through two perspectives. I know exactly how to hold a moment on the day, and exactly how to piece it together later so it lands with the audience.

Right now, I'm in discussions about a number of commercials for 2027 whilst writing my second feature film, targeting a completed full draft by October 2026.